Juan Sebastian’s photographic series reflects on four fundamental axes: self-portrait as search for identity; time as the photographer’s reflection; the body as the space for intimacy, and fashion as the mark of theater, death, and simulation. In spite of the fact that these topics are intertwined, one can easily notice in each series a stronger focus on one or another.
The most interesting thing in Juan Sebastian’s practice is that each series has exposed for the artist a path to discovering his own humanity and aesthetic expression, implicitly leading to resonant topics which in turn allows the artist’s photography to become a tool for communicating with his viewers.
